|Statement||by John Woods.|
|Series||De proprietatibus litterarum : Series minor ;, 16, De proprietatibus litterarum., 16.|
|LC Classifications||BC199.F5 W66|
|The Physical Object|
|Pagination||152 p. ;|
|Number of Pages||152|
|LC Control Number||73092089|
"Catherine Brady's Story Logic and the Craft of Fiction is one of the few books on the craft of fiction that is written with the same kind of imaginative range and depth, intellectual rigor, and tolerance for ambiguity and uncertainty that create the best fiction. Unlike the ubiquitous 'how-to' manuals that clutter the market, Brady's book looks not to previous craft books for an /5(10). In stories written in modes ranging from fantasy and fable to a letter to Thomas Bernhard to a realist account of a young woman interviewing an elderly author, Robert Kelly pursues fragments of logic to the point of their exhaustion. These logics are often small and slim. They are exhausted quickly, frequently in the space of two or three : Robert Kelly. One is that the sentences of fiction have yet to be well-handled in the more traditional theories of non-denoting terms, such as free logic or supervaluational semantics. A second is that, notwithstanding, fictional discourse appears to be tailor-made for existence-neutral theories of Cited by: THE LOGIC OF FICTION (Received 17 January, ) In developing a logic of fiction, it is first necessary to distinguish two modes of discourse: (a) what may be called fictive discourse, i.e. the dis-course comprising a work of fiction; and (b) what may be called fictional discourse, a certain kind of discourse about works of fiction.
John Woods' The Logic of Fiction, now thirty-five years old, is a ground-breaking event in the establishment of the semantics of fiction as a stand-alone research programme in the philosophies of language and logic. The Logic Book. This text presents all techniques and concepts with clear, comprehensive explanations, and includes a wealth of carefully constructed examples. Its flexible organization (with all chapters complete and self-contained) allows instructors the freedom to cover the topics they want in the order they choose/5. Socratic Logic: A Logic Text using Socratic Method, Platonic Questions, and Aristotelian Principles, Edition However, there are some tools every writer needs to make their story professional and effective. Grammar and spelling are the obvious ones, but today, I’m talking about the elements of fiction: character, plot, setting, point of view, theme, and style. “. The elements of fiction are essential tools for every writer.
The Inexplicable Logic of my Life is a lovely achievement, a novel of power and beauty. It proudly takes its place on the shelf with its author’s other /5(). The Logic of Scientific Discovery is a book about the philosophy of science by Karl Popper. Popper rewrote his book in English from the German original, titled Logik der Forschung. Zur Erkenntnistheorie der modernen Naturwissenschaft, which literally translates as, Author: Karl Popper. John Woods' The Logic of Fiction, now thirty-five years old, is a ground-breaking event in the establishment of the semantics of fiction as a stand-alone research programme in the philosophies of language and : John Woods. Fiction Book Review: The Logic of the World and Other Fictions by Robert Kelly, Author. McPherson & Co. $24 (p) ISBN An omnibus of .